nervus viii-i is a compilation of 5 tracks from 3 different artists, squeaky lobster (brussels), jerk (lille), hellboy (denhaag-brussels). nerve system records doesnt like to label the music into genres or put them in boxes, but if we really have to describe it: a mixture of eclectic style, soulful electronica, idm, melodic breakcore & dark, industrial electro.

for bt05 koova brings 5 tracks of futuristic driving electro aimed at the dancefloor. as a solo artist, koova has released on respected labels abstract forms and ac records. he is also 1/3rd of london modular alliance along with pip williams and yes effect, who have been making serious waves with their all improvised live shows. 200 copies, screenprinting artwork unique to each copy, handstamped labels.

one per person pls following her debut on the music for shut-ins compilation, antenes concocts three tracks of otherworldly techno on l.i.e.s straight from her nyc workshop. tip! *antenes operates a laboratory of self-made analog sequencers and synth modules built and manipulated in the name of rhythmic, sonic and spatial exploration. antenes signal path transforms synthesizers into sequences that burst with percussive energy, bouncing sound through sound like so many fuzzy am radio stations clipping during a late night drive. the result is a sound fundamentally unique and viscerally propulsive that shuttles dancers into a vortex of electro pulses. *

bristol s kamikaze space programme joins the trust family with a blistering ep of industrial bass music. stokes croft opens with none other than prolific ninja tune artist emika as a guest, whose haunting vocals turn choke into an ear-catching hybrid of industrial bass electro and gothic pop. three percussive bangers further elaborate chris jarmans philosophy of crafting hard-edged beats from found and self-recorded sounds rather than worn and tired presets, head-strong, futuristic, and ready to obliterate stylistic stagnation with sonic innovation

iconic deep house label large music returns to the vinyl market with a limited repress of the classic kerri chandler release return 2 acid. first pressed in 2005, this was the 100th release on large and has been out of print for 10 years. the a side features kerri s powerhouse tribute to the glorious days of acid house laced with driving beats and an incessant 808 acid line. on the flip side kerri goes old-school, this time with an electro afrika bambaataa influenced jam entitled planet sonic. also included for this special reissue is the unreleased acapella of return 2 acid solidifying this as a true collectors item

fantasma, the latest project of south african innovator and creative pioneer spoek mathambo, is a five-man collective which weaves together electronica, hip-hop, traditional zulu maskandi music, shangaan electro, south african house, psych-rock and punk to form a unique, original and fresh hybrid. the godfather of bacardi house, producer dj spoko joins with former machineri guitarist andré geld- enhuys, drummer michael buchanan and maskandi multi-instrumentist bhekisenzo cele to complete the line up. fused by spoek mathambos futurist vision, fantasma pulls inspiration from all corners of south africa: the sounds and spirits of townships and cities as well as the rural countryside. it is diverse not only in its membership but also in its forward-looking music. the 2x12 inch vinyl includes 2 bonus tracks and download code.

parages music presents their 8th release. on the a side there is a track by honesty, german dj-producer, half of slope music, signed on cabinet records and sonar kollektiv. he delivers for parages a big house track, full of warm chords, strong claps and a moving bassline. better drop this one at peak time ! the remix is done by the one and only moonstarr, broken beat pioneer and classy remixer. a man who knows everything about detroit techno, hiphop and bossa. moonstarr chop honestys track into a fast groovy tune, bassline and chords are losing control! on the b side its adjowas tune orient. the man is producing a lot recenlty, signed on freerange, dont be afraid and happy skull. this track is made live with vintage gear and is tape recorded. orient is a boogie electro bomb, super vintage synths, maximum groove bassline, and dusty reverb. a must have.the remixer on this side is basic soul unit, not necessary to introduce this one. top producer, dj and remixer. it is his 2nd appearance on parages. bsu switches adjowa’s track into a dub affair, basement feel, 808, masterclasstune.

ltd warehouse found! displacing common sense with burly daring while not engaging with lenient, populist timber-rhythmic solutions is something not only rare, but also urgent and ever loved by clubbers and close listeners alike. operating a warping double torsion onto the electro-acoustic stripe, marteaux(internet and jazz infused from early age) pushes an elegant, at once minute and far-out sort of hybrid, unflappable envelope bound to make you dance, chill or, even better, listen to over and over, detained by the studiously assembled details and inviting atmosphere.

in part 2 of the laffer ep marco bernardi is going head down, straight ahead and striving for energy. attack of the dessert stormers is an overload of dark electro power, six minutes of squirming bassline-driven movement with surges of intensity from analogue bleeps and subtle drum pattern shifts. theres no let up on the flip side where two sliders brings equal force but in a more techno style. right from the start youll be grabbed by the bassline, but this one rewards extended listening as the track develops progressively with new melodies and metallic touches taking you deeper and deeper.

the sounds of the new generation of the 80s italo disco. melodic electro, synth-pop, italo disco. all for fans of the 80s! 6 track mini lp!

beguilingly fizzy electro vibes kick off the debut effort from the latest addition to nous ever expanding plethora of talent.

the klasse recordings sub label with some fierce and fresh electro tracks by privacy. comes with one nasty remix from helena hauff. top stuff!

philippe laurent, a renowned french electro/synth wave pioneer & modern classical music composer who released a numerous amount of tapes during the 80s and a lp vinyl album on the label minimal wave records in 2011. this release joint consist in two tracks by philippe laurent from 1982 unreleased on vinyl yet and exclusively restored from the original tapes by minimal wave records studios in new york in 2014 and a cover by xeno & oaklander a cold wave and synth pop band from the same city.

hot on the heels of introducing a new chilean talent to the mos ranks with its last release, the dutch label starts another international affair for its mos deep offshoot: romanian andrew red hand. andrew, who has been called the romanian underground resistance, has a long history of djing and making detroit inspired techno and electro and across four tracks here, his analogue house with crisp drums and searing acid all burst out of the speakers and into your affections.

mutual fans sherard ingram and mariska neerman join forces to present four essential tracks spanning the breadth of contemporary electro on this second release from bleep43 recordings.

original science city electro classic reissued & spiced up w/ kassem mosse version

from freaked out electro to dirty harder techno tunes by verthex scratch vs rv

vectors 2 introduces another five new artists to the power vacuum roster: side one erupts with vacated, flinging heavyweight techno ingot *quadrat* neatly into ones medulla oblongata. a road tested club shredder, crashing straight in and out while unequivocally touching the sides. one of uk dance musics true mammoths jerome hill promptly receives the baton and lays down atypical workout *plastic jam*, an overbearingly energetic percussion / vocal rinse. on the other side, cosmic event cylob weighs in with *spyworld*. libidinal bass patterns, irresistible melodies and not a wasted note from one of electros most powerful minds. breakaway civilization of one: anklepants follows with *y.h.i.y.p.* after receiving a free bintus makeover - electro style. finally cornwallis spoken word effluvium *at the disco*, a charmingly rancid personal account to which the prancing oaf in each of us can surely relate.

daniel savio - the swede who coined the term “skwee” back in 2006 when the first odd-sounding electro-funked and tempo-twirling 7inches came about from finland and sweden. his 6-track record for laton consists of true-to-the-game skwee sounds and rhythms incl. oriental-like melodies that has been penetrating the genre for years. harmonic in melody, diverse in tempo from the originator. laton presents some of the proprietors of skwee & the phenomenon of this fennoscandian sound with three different 12inches and a lp compilation. “holtiton” was originally released in 2012, limited and is back on demand.

2015 repress !
nail provides the lead track for fofs latest vinyl only excursion - originally produced in the same time period as the classic tracks on the ode rammel reissue ep earlier in the year, glazed lay dormant on one of nails dats for many years before being rediscovered and given its first airing now on fof. chunky roughed up house beats are the order of the day here, a real peak time groove. new talent harry mccanna, resident at londons infamous undersound nights, debuts with act 1, a beautifully subtle bassline driven groove that rises above the pack with its super warm pad lending the track a warm and fuzzy hypnotic edge. romanian talent zece kicks off the flipside with the most contemporary offering, a breakbeat laden groove with a fx laden vocal snatch underpinned by that all important b-line whilst sonodab rounds things off with a beautifully deep and melodic slice of electro on brown study, the percussive elements giving rise to a hazy melodic pattern for those early hour excursions.

12 inch lp in heavyweight sleeve with cd inside. maestro is ready to stir a rather dull french indie/electro pop scene with healthy doses of industrial weirdness and obsessive dance patterns. support from the horrors and erol alkan.

the swisss are back!! electro, techno, guitars, samples...... check the swiss funk! limited to 300 copies.

privacy delivers some winding electro-techno on the void limited imprint. the berlin based producer s signature style emerges once more as pounding 808 s fuse with circuitous synth lines, taking us on a journey through the cosmos!

the adventures of gary gritness chapter 2. gary delivers a cyberfunk joyride with 9 shit hot instrumental electro funk tracks (spread over 2 eps) with a cinematical feel, blending nowadays influences from the streets of detroit, oakland and atlanta around his trademark soulful sound.

the title track -loom- builds around an electro acidic arpeggiated bassline that keeps intensity high through the roof and is topped with great drum and effect arrangements. -that s not you- goes into a deeper direction with a big bass house influence, killer breakdowns and great synth work. -bang- closes this release with style, this one is has a great bouncy groove, vocal stabs and dark twisted melodies making your mind trip all over the place.

bereits auf ihrem selbstbetitelten debüt hatten the hundred in the hand ihre lieblingseinflüsse von electro bis wave-pop verarbeitet und dabei eine beeindruckende anzahl von hits zustande gebracht.

limited edition of 100 copies on clear vinyl. first installment of joe drives brand new label kooaad muzik is a journey into sci-fi movie sound. 4 brand new tracks starting from the electro jazz anthem of the title track followed by late night cinematic motors of behind the screen.

archive records for its 15th years anniversary decided to celebrate properly with a compilation entitled the crystal collection. it displays some of the works from the label and its artists that go mostly from 1999 to 2004. not necessarily the most popular tracks from the catalogue, but a selection we strongly believe has to be heard in 2015!

miami in the house! a unique combinations of 808 miami bass overload, the freestyle electro anthems, the murk legends, the electronic freaks from the schematic crew, and some external influences together fertilized the new omnidisc label! it head starts with a 4 track collaboration ep between danny daze, 214, deroboter, drvg cvltvre & philipp gorbachev. miami is keeping it real!

tom demac tears down the gazelle twin original compositions and rebuilds them with feverish candor. *belly of the beast* pounds hard with rubbery percussion and rattling hats like chains, the gazelle twin chants her mantra *i ll beat them all at their own game…* demacs padded cell like production is most definitely some of the best work we have heard him do to date, and this dark sound aesthetic spills into his take on *guts*. like an electro take on a john carpenter score, demac carves out a futuristic and desolate take on gazelle twins celebration of urge resistance and taking pleasure in the complexity of the mind.

high quality virgin vinyl - incl dl code, melbourne-based producer andras fox (a.r.t. wilson) creates a tactile and unique form of antipodean funk that feels equally informed by garage house and new age musical traditions. his productions sound appropriate on both the dance floor and in the lounge, boasting a casual danceability and mood that seamlessly adapts to both environs. on vibrate on silent, wilson creates g-funk with a surf sensibility, congas, shakers, electro-acoustic melodies coalesce with deep grooves, subtle hooks and a laid-back, oceanic ambience.

nach einem fulminanten debütalbum, das sowohl dancefloors der welt als auch kritiker außer atem ließ, kehrt jeremy guindo aka bambounou nun mit *centrum* in albumlänge zurück. guindo benutzt verspielte electro-synths (echter electro, siehe detroit), die den hörer in einen trance-zustand versetzen, der durch die peitschenden percussions von tracks wie *each other* gestört wird. im gegensatz zu *orbiting* bewegt sich *centrum* eher weg von bass und footwork und hin zu ambient und techno. *centrum* ist keine reine clubplatte, die von vorn bis hinten mit brettern vollgestopft ist (obwohl fähige djs trotzdem viel stoff finden werden), dennoch werden auch die *orbiting* fans wieder begeistert sein. das doppel-vinyl erscheint im klappcover, inklusive poster und downloadcode.

ryan teague is a composer, producer and multi-instrumentalist based in bristol. his music combines acoustic instrumentation and arrangements with electronic and processed material, often incorporating minimalist, ambient and electro-acoustic styles

after his l.i.e.s. debut, dj slugbug offers up a four track ep for the russian torrent bootleg label. while the title track is a massive electro cut sure to scorch floors. the three remaining cuts explore more tense and moody territories that explore more industrial and downtrodden house vibes that wouldn t be out of place at medusa s back in the day

after seducing the likes of optimo, horse meat disco, rub n tug and bicep with their floor-friendly reworks of classic disco, funk and electro, the lads over at fatty fatty phonographics are expanding their repertoire with their first 12 inch of original material.

a busy year ahead for techno label signal code records. last year seen vinyls from label head costelloe along with duplex, mark du mosh, defekt and simoncino. the labels sound has grown into an indescribable mix of future retro techno. taking a classic sound and putting a modern twist on it. its a busy start to 2015 with two hot 12inchs already planned for the first two months. the first is a 4 tracker from label head costelloe featuring two remixes from glasgow power house and clone and creme organisation regular marco bernardi. classic techno and electro given a modern twist. quickly following the release will see a 12 inch from l.i.e.s man simoncino with sex tag manias dj sotofett providing a dubbed out mix. it is a busy start for 2015.

the nuclear family return with the follow-up to the summer’s after effects ep - another four tracks of deeper electronics for discerning djs and dancers. the title cut is a throwback to the days when we made music in our bedrooms with whatever cheap-ass drum machines and synths we could lay our hands on, and we have invited one of our favourite artists, atlantas moon b, to lend his magic touch to a remix on the flip, we drift into dubbier climes before dropping the tempo to close things out on a spaced-out electro tip.

archetypal detroit electro techno taken to the next level by mr bernardi on burek sub label barba. barba shows its nasty side after the first and very nice and sweet ld nero release. bernardi delivers a double album worth of ideas, spread among 2 releases

last copiues left... highly anticipated new release by unstoppable electro producer hailing from france, don rimini. >nlarge your parties< is the follow-up to the much acclaimed >time to panic ep<, >absolutely rad ep<, and >kick n run< which gathered amazing feedback and great success among both listeners and the media. more than just a single, >nlarge your parties< is a mini album that includes four brand new tracks.

dark entries is excited to reissue a split ep of rare and out of print detroit electro jams from nu sound ii crew and magnus ii. both were projects of mastermind sam anderson aka dj maestro.

for the 1st time the official remastered reissue of the original 1985 recording. 350 limited copies, under license of expanded music srl italy.
kirlian camera are one of the pioneers of the italian electronic scene. active since 1979 under the name suicide commando, the band changed name in 1980 releasing the first demo-tape dawn and the self-titled mini-album in late 1981. the early records contain a mix of synth pop and new wave/dance songs, while towards the end of the 1980s kirlian cameras music became darker, turning into electro-gothic sound. nearly every release since then has explored different fields, from industrial to ambient and trip-hop.

mannequin celebrated halloween with a free download of the classic electro-dark see you in hell from suicide commando covered by the nyc based combat techno collective dust. now the track is available as a one-sided 12 vinyl record out on christmas day 2014 and strictly limited to 150 copies.

from the rotterdam harbours come the deep and deviant electronic voyages of jeremiah r. electro in classic detroit fashion, oozing with westcoast gravy. an ep crafted for night to dawn, for the floor and the mental cruise. cop it and drop it! all with mind-bending screen printed inner sleeve by the bakk decency department.

mnlth, aka dave monolith, returns to weme records with his second ep time part of the final wave of rephlex certified braindance artists, mnlth released his 2011 debut album welcome on the iconic label. time offers 5 tracks, 26.20 minutes total time all tried and tested on dancefloors across europe and beyond by mnlth himself but also his former label boss richard d. james. time was written between 2009 to 2011. its tracks range from the electrocuting feel-good acid anthem that is time, the square bass plucking electro bouncer headlight, rushing melodies and pads from my rush chords and harrier 2, ending with the cheeky happy-go-lucky 808 track, spwint

magic waves very own casionova delivers three classic analogue synth-jams from the vaults on this raw, hypnotising and energetic ep. side a consists of the epic italo/electro darkness-into-light spacetrip journey into night, while side b gives us night emotion, a deep-hypnosis darkside italo juno 60 jammer and 1983, a pounding builder of a track resplendent with key changes aplenty and a magnificent release of a chorus that rocks the record all the way through to the finish. buy quick as copies are limited!

limited copies, analog lovers hinode offer three distinct soundspaces to lose yourself in and never come back. linear equation drifts in the same heady atmosphere as stls lighter flights of fancy, suspended loosely in a pillowy cloud of pads and oscillating bass thats perfect for warming up the senses. the detroit thump of cubic parsec sees that simmering tension break through into outer space, its deadened kicks and rushing snares evoking robert hoods seminal nighttime world vol 1. lastly, hinode slow down and stretch out for the sensational time travel, an ultra-refined and precision-controlled electro killer that will take afterparty dancers on a trip beyond.

2nd volume of our series -moog your body-. this time we have the french minimum syndicat who bring us a techno-acid-rave theme with samples of v (tv series), with fellow frenchman umwelt, with electro dance hall with acid lines and reminiscent of the -final frontier -ur. on the flip side we have 6tma, repeating with another neoacidrave pump house brand and to top the album, another lash of breaks, acids and impossible melodies from german roger van lunteren. limited edition of 300 copies (150 black vinyl / 150 yellow vinyl) pressed at record industry. mastered by yves roussel mastering

180g ltd ed 300 copies,
peur bleue records is pleased to present the imminent release of gohan s ep, ‘stabbed in konya’. you ll find a private link below for listening and downloading the entire ep on soundcloud.it describes a tragic journey into a fictional depiction of konya - a raucous and hostile anatolian city torn apart by mysticism and conservatism. the ep explores a landscape of detroit electro vibrations and dodgy murmurs whilst offering gracious melodic digressions along the way. after the album peur and the ep hedge fund released in 2012, gohan comes back with a new imaginary soundtrack on the edge of violence and grace, exploiting harmonic and texture flaws, enigmatic collages and a grinding bassline.

with this first ep, s.o.n.s pays homage to the early age of electronic dance music, when techno, house and trance were friendly to each other, when tracks were full of deepness and harmonics, when drums were crazy and raw, when techno was soulful. yeah, this is all about this ep, some soulful deep techno excursions. while the a1 is an after-hours emotional weapon freely inspired by an obscure m. goddard production some will recognize, the a2 is a more straight forward electro track with dark vocals and rising chords, as they made it in detroit back in the days. on the other side of the record is a techno journey through a rainforest with pan flute, deep chords and old school bassline. plus there is a little bonus locked groove: a mere 4/4 tr909 bass drum s.o.n.s personally uses in their crazy obscure techno mixes. turquoise vinyl + foil sticker on cover, limited to 200 copies. mastered by matt colton (l.i.e.s, apron…)